September 2008
August 2008
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Lone Justice
The evolution of American masculinity—as seen on television cop shows
by Mark Holcomb posted August 28, 2008
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Domestic Disturbances
The unsung cinema of Frank and Eleanor Perry
by Bilge Ebiri posted August 25, 2008
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Truer Than Fiction
Frederick Wiseman on the connections between drama and documentary
by Nicolas Rapold posted August 21, 2008
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Manny Farber (1917-2008)
A conversation with Paul Schrader about the late painter and critic
by David Schwartz posted August 19, 2008
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Tears Without Laughter
Deciphering audience responses to Douglas Sirk, in the U.S. and Japan
by Chris Fujiwara posted August 18, 2008
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Anarchy in the U.K.
The growing pains of Lindsay Anderson, Free Cinema's angry young man
by Steve Erickson posted August 14, 2008
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No Exit
Adapting the dissolute, interior noir of David Goodis
by Max Goldberg posted August 11, 2008
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The Devil Inside
Filming Jim Thompson’s first-person pulp psychosis
by Mark Asch and Cullen Gallagher posted August 11, 2008
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After the Revolution
Revisiting the high cinematic modernism of Resnais and Robbe-Grillet
by Andrew Tracy posted August 7, 2008
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Jobless Number
Economics and sex in a Depression-era Busby Berkeley musical
by Martin Rubin posted August 4, 2008
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World of Wander
Malle, Varda, Akerman, Vigo, and the philosophy of the flâneur film
by Livia Bloom posted August 4, 2008
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This Land Is Your Land
John Gianvito's Profit motive and the tradition of the political landscape film
by Ed Halter posted August 4, 2008
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Kings and Pawns
The Wire: Modern society as an elaborate chess game
by David Schwartz posted August 1, 2008
July 2008
Migrating Forms
The African King
Wild Times
Divine Tragicomedies
Morning in America
Extra Credit, Part 5
Extra Credit, Part 3