July 2008
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Extra Credit, Part 4
The Wire: A close analysis of the Season 4 title sequence
by Andrew Dignan, Kevin B. Lee and Matt Zoller Seitz posted July 29, 2008
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Across Racial Lines
The Wire: How white writers successfully explored black America
by Nelson George posted July 29, 2008
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Extra Credit, Part 1
The Wire: A close analysis of the Season 1 title sequence
by Andrew Dignan, Kevin B. Lee and Matt Zoller Seitz posted July 28, 2008
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Extra Credit, Part 2
The Wire: A close analysis of the Season 2 title sequence
by Andrew Dignan, Kevin B. Lee and Matt Zoller Seitz posted July 28, 2008
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Invisible City
The Wire: The cycles of urban life in television's most novelistic show
by Dana Polan posted July 28, 2008
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Dystopian Idol
The ignored prophecies of Peter Watkins's Privilege
by Michael Atkinson posted July 24, 2008
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On the Prowl
The choreography of conflict in Joseph Losey's Blind Date
by David Cairns posted July 24, 2008
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The Power of Nightmares
Revisiting the shadowy visions of Carl Theodor Dreyer
by Joshua Land posted July 21, 2008
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Hidden Treasures
Keeping up with old movies at Bologna's annual festival of rarities
by Jonathan Rosenbaum posted July 17, 2008
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Director Without Borders
The restless innovations of independent pioneer Shirley Clarke
by David Cairns posted July 14, 2008
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Who Is Helmut Käutner?
A German master, ripe for centennial rediscovery
by Christoph Huber posted July 14, 2008
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Recycle It
A look at found-footage cinema, from the silent era to Web 2.0
by Ed Halter posted July 10, 2008
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Image Is Everything
The double lives and branded selves of AMC's Mad Men
by Jessica Winter posted July 7, 2008
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St. Bill of Illinois
The poignant case for William Holden
by Michael Atkinson posted July 2, 2008
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Bordering on Fiction
Chantal Akerman's journeys through time, space, and history
by David Schwartz posted July 2, 2008
June 2008
Let It Loose
Seeing Doubles
Look Back in Anger
The Long View
What Lies Beneath