August 2008
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Lone Justice
The evolution of American masculinity—as seen on television cop shows
by Mark Holcomb posted August 28, 2008
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Domestic Disturbances
The unsung cinema of Frank and Eleanor Perry
by Bilge Ebiri posted August 25, 2008
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Truer Than Fiction
Frederick Wiseman on the connections between drama and documentary
by Nicolas Rapold posted August 21, 2008
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Manny Farber (1917-2008)
A conversation with Paul Schrader about the late painter and critic
by David Schwartz posted August 19, 2008
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Tears Without Laughter
Deciphering audience responses to Douglas Sirk, in the U.S. and Japan
by Chris Fujiwara posted August 18, 2008
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Anarchy in the U.K.
The growing pains of Lindsay Anderson, Free Cinema's angry young man
by Steve Erickson posted August 14, 2008
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No Exit
Adapting the dissolute, interior noir of David Goodis
by Max Goldberg posted August 11, 2008
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The Devil Inside
Filming Jim Thompson’s first-person pulp psychosis
by Mark Asch and Cullen Gallagher posted August 11, 2008
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After the Revolution
Revisiting the high cinematic modernism of Resnais and Robbe-Grillet
by Andrew Tracy posted August 7, 2008
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Jobless Number
Economics and sex in a Depression-era Busby Berkeley musical
by Martin Rubin posted August 4, 2008
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World of Wander
Malle, Varda, Akerman, Vigo, and the philosophy of the flâneur film
by Livia Bloom posted August 4, 2008
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This Land Is Your Land
John Gianvito's Profit motive and the tradition of the political landscape film
by Ed Halter posted August 4, 2008
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Kings and Pawns
The Wire: Modern society as an elaborate chess game
by David Schwartz posted August 1, 2008