May 2012
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If Looks Could Kill
On gangster suits and silhouettes
by Lorraine Gamman posted May 8, 2012
January 2011
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Tough Love
On Lino Ventura, the working-class hero who bridged low pulp and high art
by Richard Porton posted January 18, 2011
March 2010
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The Exploding Boy
The chameleonic career—and the sad, stormy life—of Montgomery Clift
by Brynn White posted March 12, 2010
December 2009
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A Free Man
The tough questions of Clint Eastwood's White Hunter, Black Heart
by Jonathan Rosenbaum posted December 1, 2009
October 2009
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Perpetual Outsiders
The immigrant experience in the cinema of Elia Kazan
by Bilge Ebiri posted October 9, 2009
July 2009
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A Guy Thing
Macho loneliness and masculine insecurity in Eastbound and Down
by R. Emmet Sweeney posted July 29, 2009
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Pure Escapes
Jerzy Skolimowski and the placeless utopia of youth
by Chris Fujiwara posted July 10, 2009
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Zen Pulp, Pt 2
Lifetime subscriptions: Michael Mann's honor-bound individualists
by Matt Zoller Seitz posted July 3, 2009
November 2008
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Virgin Territory
Looking behind the stereotypes of the Doris Day-Rock Hudson pairing
by Saul Austerlitz posted November 10, 2008
October 2008
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Arsenic and Apple Pie
Oliver Stone Pt. 1: Patriotism and propaganda in Born on the Fourth of July
by Kevin B. Lee and Matt Zoller Seitz posted October 14, 2008
September 2008
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Bringing Up Hawks
Andrew Sarris and Molly Haskell on the discovery of an auteur
by David Schwartz posted September 25, 2008
August 2008
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Lone Justice
The evolution of American masculinity—as seen on television cop shows
by Mark Holcomb posted August 28, 2008
