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Michael FassbenderJanuary 6, 2010
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Terry GilliamJanuary 6, 1996
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Terry GilliamOctober 2, 2006
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Terry GilliamDecember 8, 2009
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Brendan Gleeson + John Michael McDonaghJuly 27, 2014
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Danny Glover, Gary Clark Jr. + John SaylesDecember 19, 2007
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Michel GondryMay 9, 2008
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Hal HartleyJanuary 14, 1995
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Molly Haskell and Andrew SarrisApril 12, 2008
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Todd HaynesNovember 15, 1998
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Todd HaynesNovember 3, 2002
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Todd Haynes + Bruce GreenwoodNovember 10, 2007
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Buck HenryJune 22, 1996
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J. Hoberman + A. O. ScottJanuary 5, 2008
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Tony Kushner + Harold HolzerDecember 18, 2012
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Tom Hooper, Claire Bloom + Jennifer EhleJanuary 17, 2011
Todd Haynes November 15, 1998
From his first film, Superstar: The Karen Carpenter Story, the story of the pop star's rise and early death told entirely with Barbie and Ken dolls, Todd Haynes has been one of the most idiosyncratic anatomists of the culture. While exploring many of the same themes as Superstar, Haynes's 1998 film Velvet Goldmine is an ambitious large-scale production that borrows the structure of Citizen Kane to chart the rise of glam rock and a Bowie-like star who is the movement's brightest flame. In this interview, the always erudite and engaging Haynes talks about his ongoing fascination with themes of spectacle and identity.
