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The Warhol Gaze PanelOctober 21, 2007
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Stanley Tucci, Hope Davis, Natasha Richardson + FriendsMay 21, 2008
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Robert Downey, Sr.April 19, 2009
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Making 'The Wire' PanelJuly 30, 2008
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Molly Haskell and Andrew SarrisApril 12, 2008
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Saturday Night Live and Presidential Politics PanelSeptember 15, 2008
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Dennis HopperDecember 4, 2008
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Jerry Lewis + Peter BogdanovichNovember 22, 2008
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Greg Mottola, Ted Hope + Anne CareyMarch 22, 2009
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James TobackApril 6, 2009
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Jim JarmuschApril 23, 2009
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Gael Garcia Bernal + Diego LunaMay 6, 2009
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Pete DocterMay 19, 2009
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Test Pinewood Dialog recordMay 29, 2009
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Sam Mendes + John KrasinskiJune 2, 2009
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Harold RamisJune 12, 2009
Douglas Trumbull April 16, 1994
Probably no single figure in movies has contributed more to the development of special effects than Douglass Trumbull. Beginning with his work on Stanley Kubrick's seminal 2001: A Space Odyssey, Trumbull has gone on to work on Star Wars, the first Star Trek film, Blade Runner, and Close Encounters of the Third Kind. He has also directed two films, Silent Running, and Brainstorm, whose troubled production history he recounts in the following interview. Trumbull has tried repeatedly to get studios interested in new technologies—"immersive" technologies, he calls them—that would actually make the spectator a part of the film they are watching. The studio's reluctance to be a part of these experiments has led him to abandon narrative filmmaking to devote his time to developing these new interactive technologies. He discusses these new techniques in detail in this interview.
