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Sidney LumetOctober 5, 2005
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Glenn CloseSeptember 22, 2005
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Francois OzonJune 5, 2005
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Brad BirdJanuary 9, 2005
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Mira NairAugust 29, 2004
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Melvin + Mario Van PeeblesMay 8, 2004
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Tim BurtonNovember 19, 2003
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Francis Ford CoppolaOctober 21, 2003
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Ang Lee + James SchamusJune 7, 2003
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Tim RobbinsMay 19, 2003
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Neil JordanMarch 7, 2003
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David CronenbergFebruary 10, 2003
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Thelma SchoonmakerNovember 24, 2002
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Martin ScorseseNovember 9, 2002
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Todd HaynesNovember 3, 2002
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Mike LeighSeptember 25, 2002
Mira Nair August 29, 2004
The immigrant's sense of dislocation resonates in the films of Mira Nair, who often focuses on different permutations of the outsider—Bombay street urchins in Salaam Bombay!, Cuban immigrants in The Perez Family, a sixteenth-century Indian servant girl in Kama Sutra: A Tale of Love—and their disconnection from the social order around them. Nair's films often focus on complex female characters, and examine the complications that arise from the intermingling of ethnicities, traditions, and classes. In this talk, Nair discusses the examination of sociopolitical exclusion in her past work and in her adaptation of William Thackeray's Vanity Fair.
